Tuesday, October 20, 2009

David's Harp @ Yale

An Evening of Turkish Music

10/20/09

Sudler Recital Hall

David's Harp is a six piece ensemble: santouri (hammer dulcimer), flute, violin/viola, keyboard, daf (drum), and guitar/mandolin. The bandleader sings in all sorts of languages, Landino, Hebrew, Greek, Arabic, Turkish, Spanish, which means I couldn't make out most of it. Samples may be heard on the band's MySpace page: www.myspace.com/davidsharpensemble.

The theme for the evening was a sampling of music from the various cultures passing through Turkey. The title is a bit of a misnomer, as most of the songs were from various Jewish subcultures, with a few Ottoman and Greek songs in the mix.

The first few are Sephardic songs from Spain, Sarajevo, and a lively song from Bosnia. Verdi borrowed the melody from one for his aria in La Traviata. Then came two rembetik songs in Greek. A common theme of rembetika is to yearn after minority girls rejecting Greek men--songs about unrequited love of Armenian and Jewish girls. The two Greek songs are about the "Jewish girl who stole my heart" and another about a Jewish girl washing her hair.

The first set was full of beautiful ensemble playing, fairly light--not like the whiney "amanades" one might have expected. The intricate santouri playing is a rare treat. The second set was upbeat, with an Ottoman Janissary March and Jewish folk songs from Yemen, Persia, Egypt and Israel. Bandleader Joseph Alpar would often put down his santouri sticks and pick up his darbuka. That's a hand drum also called a dumbek, kind of like a small middle eastern conga. He got great sounds and rhythms out of it; which made sense when he later explained that it was his first instrument. The daf player was also making great sounds all night--each drum was remarkably expressive. The daf looks like a big tambourine, wide and shallow without without the cymbals around the rim. Instead it had links of rings, chain-like, inside the rim, rattling against the skin like a snare.

Saturday, October 3, 2009

Marianne Dissard's Super sensual jazzy French lounge-pop.

Marianne Dissard sings in French. I didn't understand a word, but she's intense. Jazzy combo backing, Dissard sings full throated, like a deeper, less warbly Edith Piaf. Facial expressions and hand gestures add to the effect. Super sensual French lounge-pop.

I could fall in love.

With a guitar player, drummer on small kit and Christian the bitters-drinking Italian on keyboards [borrowed from Freddy B], she charmed the small but enthusiastic crowd. Her voice was full of longing and yearning.

Her last song before an uncontrived, unplanned encore, was sung Spanish ("since we live in Tuscon there's tons of mariachi"). Still didn't understand the words, but it didn't matter. Everything made perfect sense.

And kudos to Warren for the perfect sound mix, open yet full and not too loud. Although you could hear the rumble of bar talk during some of her songs, any louder would have spoiled the mood.

Wednesday, June 3, 2009

Never Seen Anything Like That Before

Minnesotan Paul Metzger's free show at Cafe Nine last night was billed as "head banging, toe tapping, heart soaring banjo jams...escalating solo improvisations on modified banjos and guitars creating a unique live experience." When he started, I would have added head-scratching; by the time he ended it was jaw-dropping.

Metzger's instrument is a banjo with a twelve-string guitar head, apparently tuned like a sitar. Five guitar-like strings run down the fretboard with eighteen other strings in various places. Tuning pegs show up around the rim of the body.

The guy jammed. Sometimes in fits and starts, sometimes blazing fast runs, other times drawing a bow across the strings for sonorous melodies. What began as a curiousity quickly transfixed the audience. I moved around, going up close to try to figure out the instrument and moving to the back to enjoy the reverberations [and because the artist likes to play loud!] Words will ultimately fail to describe the sound--try the video link on Metzger's website: http://www.paulmetzger.net/ or his myspace page: http://www.paulmetzger.net/

I liked sound man Warren's comment after the show about his whole-tone playing near the beginning of his set: "It was not at all ambiguous."